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Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Some scholars have suggested the icon at Sinai could have been a possible representation of the Kamouliana icon of Christ [11] or of the famous icon of Christ of the Chalke Gate, [12] an image which was destroyed twice during the first and second waves of Byzantine Iconoclasm—first in 726, and again in 814—and thus its connection with the ...
The icon is based on a story from the Book of Genesis called Abraham and Sarah's Hospitality or The Hospitality of Abraham (§18). It says that the biblical Patriarch Abraham 'was sitting at the door of his tent in the heat of the day' by the Oak of Mamre and saw three men standing in front of him, who in the next chapter were revealed as angels.
Most Western commentators in the Middle Ages considered the Transfiguration a preview of the glorified body of Christ following his Resurrection. [11] In earlier times, every Eastern Orthodox monk who took up icon painting had to start his craft by painting the icon of the Transfiguration, the underlying belief being that this icon is not painted so much with colors, but with the Taboric light ...
Nativity of the Lord, Icon by St. Andrei Rublev (1405), Cathedral of the Annunciation, Moscow Kremlin. Icon of the Theophany of the Lord.. The Royal Hours, also called the Great Hours or the Imperial Hours, are a particularly solemn celebration of the Little Hours in the Eastern Orthodox and the Eastern Catholic Churches of the Byzantine Rite.
Such icons were seen as powerful arguments against iconoclasm.In a document apparently produced in the circle of the Patriarch of Constantinople, which purports to be the record of a (fictitious) Church council of 836, a list of acheiropoieta and icons miraculously protected is given as evidence for divine approval of icons.
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Fr. Jurewicz is held to be one of the most renowned icon painters in North America today, [2] and has painted about a dozen Eastern Orthodox churches across North America.He was a student of the late Archimandrite Cyprian, founder of the Russian school of iconography outside of Russia.
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