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Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. These older, larger bongos are known as bongó del monte and played in changüí. The smaller bongos used in son cubano were popular across Cuba by the 1910s and reached the concert halls of the eastern United States in the ...
The common name "bongo" originated probably from the Kele language of Gabon. The first known use of the name "bongo" in English dates to 1861. [8] Bongos are further classified into two subspecies: T. e. eurycerus, the lowland or western bongo, and the far rarer T. e. isaaci, the mountain or eastern bongo, restricted to the mountains of Kenya ...
The macho bongo produces a high pitch, popping like sound and is referred to as the male bongo. [23] In contrast, the hembra bongo is considered the female of the pair and produces low, deep sounds. [23] The congas and bongos originated in Cuba among African slaves and are key instruments of the afro-Caribbean music genre. [23]
According to Jack Ashford, Brown started out as a valet for Marvin Gaye and played bongos once Gaye began performing on-stage. [2] Brown played congas , bongos , the gourd and claves . Brown became Motown's leading percussionist and for a decade was on almost every key release from the label. [ 3 ]
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest).
The bongos play primarily during the verses and the piano solos. When the song transitions into the montuno section, the bongo player picks up a large hand held cowbell called the bongo bell. Often the bongocero plays the bell more during a piece, than the actual bongos. The interlocking counterpoint of the timbale bell and bongo bell provides ...
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The Bongos are a power pop band from Hoboken, New Jersey, that emerged from the New York City arts scene, primarily active in the 1980s, led by Richard Barone. With their unique musical style, they were major progenitors of the Hoboken indie-pop community, college radio favorites, and made the leap to national recognition with the advent of MTV .