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A charro or charra outfit or suit (traje de charro, in Spanish) [1] is a style of dress originating in Mexico and based on the clothing of a type of horseman, the charro. The style of clothing is often associated with charreada participants, mariachi music performers, Mexican history, and celebration in festivals. The charro outfit is one that ...
The "La Malinche" huipil Huipil, 1875–1890, Warp-faced plain weave cotton, Patzun, Guatemala (probably) V&A Museum no.T.23-1931After the Spanish conquest of the Aztec Empire and subsequent Spanish expansion, the huipil endured but it evolved, incorporating elements from other regions and Europe. [3]
The traje de flamenca ("flamenco outfit") or traje de gitana [1] ("Gitana outfit") is the dress traditionally worn by women at Ferias (festivals) in Andalusia, Spain. There are two forms: one worn by dancers and the other worn as a day dress. The day dress is body-hugging to mid-thigh, and then continues in multiple layers of ruffles to the ankle.
Poblanas (women of Puebla), in a 19th-century vignette.To the left appears a chinaco [].. China poblana (lit.Chinese woman from Puebla) is considered the traditional style of dress of women in Mexico, although in reality it only belonged to some urban zones in the middle and southeast of the country, before its disappearance in the second half of the 19th century.
Two famous toreros: Joselito el Gallo and Juan Belmonte wearing the traje de luces. Detail of la chaquetilla.. The traje de luces [1] ('suit of lights') is the traditional clothing that Spanish bullfighters (toreros, picadores, and rejoneadores) wear in the bullring.
By tradition, this was to be the first time she would wear makeup in public, but in the 21st century, girls start using makeup at an earlier age. The quinceañera is also expected to wear a formal evening dress, traditionally a long, elegant ball gown chosen by the girl and most often, her mother, according to her favorite color and style.
Fashion is a term used interchangeably to describe the creation of clothing, footwear, accessories, cosmetics, and jewellery of different cultural aesthetics and their mix and match into outfits that depict distinctive ways of dressing (styles and trends) as signifiers of social status, self-expression, and group belonging.
Tagalog maginoo (nobility) wearing baro in the Boxer Codex (c.1590). Baro't saya evolved from two pieces of clothing worn by both men and women in the pre-colonial period of the Philippines: the baro (also barú or bayú in other Philippine languages), a simple collar-less shirt or jacket with close-fitting long sleeves; [5] and the tapis (also called patadyong in the Visayas and Sulu ...