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Woman's stays c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5. [1]The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets.
Victorian dress reform was an objective of the Victorian dress reform movement (also known as the rational dress movement) of the middle and late Victorian era, led by various reformers who proposed, designed, and wore clothing considered more practical and comfortable than the fashions of the time.
Someone who makes corsets is a corsetier or corsetière (French terms for a man and for a woman maker, respectively), or sometimes simply a corsetmaker. In 1828, the word corset came into general use in the English language. The word was used in The Ladies Magazine [1] to describe a "quilted waistcoat" that the French called un corset.
As well as making corsets more constricting, this heavy structure helped prevent them from riding up, or from wrinkling at the waist. Steam-molding also helped create a curvaceous contour. [ 7 ] Developed by Edwin Izod in the late 1860s, the procedure involved placing a corset, wet with starch, on a steam heated copper torso form until it dried ...
Bonnets were being replaced by hats by the end of the Victorian era so girls would have worn a hat when out. Young boys found comfort in Russian style blouses. [17] Fashionable clothing for boys included sailor suits, consisting of a shirt with a sailor collar and trousers or knickerbockers. For automobiling, boys wore a duster with ...
Victorian Women's fashion: 1870s; Victorian Women's Fashion, 1850–1900: Hairstyles; 1870s Men's Fashions – c. 1870 Men's Fashion Photos with Annotations; From Reforming Fashion, 1850-1914: Politics, Health, and Art, Ohio State University : Reda silk brocade tea gown, c. 1876; Brown challis tean gown in Liberty of London fabric, c. 1877
This style of corset quickly evolved into the beautifully complex early Edwardian style corsets. These corsets from 1901–1908 relied heavily on the complex cut of the pattern to create and accentuate the shape. Boning was used wholly for the support of the shape created by the cut of the fabric.
The English wore these more than the French, but even such long stays were not primarily intended to constrict the waist, in the manner of Victorian corsets. The final layer was the petticoat, which was the name for any skirt worn under the gown and could be a skirt with a bodice, a skirt attached over the torso by tapes, or a separate skirt. [35]
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