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The Noh masks of the Konparu school are a set of 47 noh masks formerly owned by the famous Konparu family of noh actors and playwrights, now part of the collection of the Tokyo National Museum. These masks span five centuries, from the Muromachi to the Edo period (15th to 19th century), and are designated Important Cultural Properties.
Noh masks signify the characters' gender, age, and social ranking, and by wearing masks the actors may portray youngsters, old men, female, or nonhuman (divine or demonic) characters. [ 23 ] : 13 Only the shite , the main actor, wears a mask in most plays, although the tsure may also wear a mask in some plays.
These masks, which represent the jealousy, resentment, and anger of female demons, are classified as jya (蛇, snake) masks. [3] It is said that there are now more than 250 types of Noh masks, but the oldest historical record of Noh masks, Sarugaku dangi , mentions only about 14 types of masks, and the name hannya is not found among them. [4]
Pages in category "Noh" The following 38 pages are in this category, out of 38 total. ... Noh masks of the Konparu school; Noh-men Joshi no Hanako-san; Mansai Nomura ...
Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. Kyōgen, its comic partner, served as a link between the theological themes of the Noh play with the pedestrian world by use of theatrical farce and slapstick. Noh theatre was generally performed for the elite aristocratic ...
Bidou Yamaguchi (山口 毘堂, Yamaguchi Bidō), a master Noh mask carver in the Hōshō tradition, was born Yamaguchi Hiroki on February 28, 1970, in Fukuoka, Fukuoka, on the island of Kyūshū in Japan.
The Shōjō Noh mask with a red tinge on its face, it is worn by the lead (nochishite) playing its part of the shōjō, [24] and used exclusively for this lead role, but nowhere else. [23] [5] [a] The costume of the Shōjō follows an overall red-color theme, a big red wig, and red clothing. [5]
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