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"Black or White" is a song by American singer Michael Jackson, released by Epic Records on November 11, 1991 as the first single from Jackson's eighth studio album, Dangerous (1991). Jackson wrote, composed, and produced the track with record producer Bill Bottrell , who provides an uncredited guest performance.
Jackson performed "Black or White" with Slash, and the debut of "Will You Be There" at MTV's 10th anniversary special that aired on ABC two days after the release of Dangerous. [86] [87] The Dangerous: The Short Films collection of music videos from Dangerous, with behind-the-scenes footage, was released in 1993. [88]
"The Last Sad Song" (contains a sample of "Give In to Me") 2009: The Lost Scripts of K.O.D. [88] The LoveCrave "Thriller" 2010: Digital Download: The Weeknd "Dirty Diana" 2011: Echoes of Silence: Twice "I Want You Back" 2018: BDZ: Uwe Schmidt "Beat It" 2003: Fiesta Songs: Usher "Rock with You" 2013: Rock and Roll Hall of Fame: Usher "Gone Too ...
On This Day: Nov. 14, 1991 The Happening. Well, he did warn us that his new album was going to be ... Dangerous.In 1991, Michael Jackson roared back onto the pop music scene with his long-awaited ...
Michael Jackson first rose to fame in the early ‘70s as the pint-sized frontman of Motown’s Jackson 5. But Jackson became a bonafide superstar with his first solo album for Epic Records, Off ...
Michael Jackson in 1984. American singer-songwriter Michael Jackson recorded songs for ten studio albums, two posthumous studio albums, seventy two compilation albums, three soundtrack albums, one live album and seven remix albums. He has provided background vocals for songs recorded by other artists, as well as featured on duets.
Bad is the seventh studio album by the American singer-songwriter Michael Jackson.It was released on August 31, 1987, by Epic Records.Written and recorded between 1985 and 1987, Bad was Jackson's third and final collaboration with the producer Quincy Jones.
The album received moderate reviews. Stephen Erlewine of AllMusic wrote: "In a sense, his sound is fully formed—there’s no mistaking his velvet baritone or his lush, string-draped surrounding, particularly on the album's closing "I'm Gonna Love You Just a Little More, Baby," a song so seductive it set the pace for the rest of his career". [2]