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Thomas Moore (28 May 1779 – 25 February 1852), was an Irish writer, poet, and lyricist celebrated for his Irish Melodies. His setting of English-language verse to old Irish tunes marked the transition in popular Irish culture from Irish to English.
"The Minstrel Boy" is an Irish song written by Irish poet Thomas Moore (1779–1852) and published as part of his Irish Melodies. [2] Moore himself came to be nicknamed "The Minstrel Boy", [3] and indeed it is the title of Leonard Strong's 1937 biography of Moore.
Victor Herbert quotes the tune in his "Irish Rhapsody" Roger Quilter's setting of the song was included in the Arnold Book of Old Songs, published in 1950. Joni James includes the song on her album Joni Sings Irish Favorites (1959) and Bing Crosby included it in a medley on his album 101 Gang Songs (1961).
The poem and the tune together were published in December 1813 in volume 5 of Thomas Moore's A Selection of Irish Melodies. The original piano accompaniment was written by John Andrew Stevenson, several other arrangements followed in the 19th and 20th centuries. The poem is now probably at least as well known in its song form as in the original.
"The Lament for Owen Roe" – Song by Thomas Davis, based on an older tune by Turlough O'Carolan, lamenting the death of Owen Roe O'Neill in 1649 "Let Erin Remember" – written by Thomas Moore. [19] "The Manchester Martyrs" – also called "The Smashing of the Van", song about the Manchester Martyrs [16]
It was published with additional lyrics in Thomas Moore's 1808 "Irish Melodies." [ 3 ] Beethoven composed two arrangements of the song during 1809–1810 (published 1814–1816 in W.o.O. 152 and W.o.O. 154) with the title, "From Garyone my Happy Home," with lyrics by T. Toms, on romantic themes.
Differences arose between Moore and Stevenson as may be seen in the correspondence of Moore edited in 1852 by Lord John Russell, and after the seventh number of Irish Melodies the music was provided by Sir Henry Bishop (1786–1855). Despite this, Thomas Moore wrote a memorial poem for Stevenson entitled Silence is in our Festal Halls.
The song is set to a traditional Irish air, best known in early 19th century America as "Believe Me, if All Those Endearing Young Charms", a popular song whose lyrics were written by the Irish poet Thomas Moore.