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Chuck Philips, Los Angeles Times, 1992 Gangsta rap is a subgenre of hip hop that reflects the violent lifestyles of inner-city American black youths. Gangsta is a non-rhotic pronunciation of the word gangster. The genre was pioneered in the mid-1980s by rappers such as Schoolly D and Ice-T, and was popularized in the later part of the 1980s by groups like N.W.A. In 1985 Schoolly D released "P ...
Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music". Precursors to modern rap music include the West African griot tradition, [ 7 ] certain vocal styles of blues [ 8 ] and jazz , [ 9 ] an African-American insult game called playing the dozens (see Battle rap and Diss ...
From disco to AKs. Whether it was seen as a fun new form of disco, important Black urban storytelling, or an irresponsible, violence-glorifying genre, early rap was a juicy tale for the press
The music developed as part of the broader hip-hop culture; while often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. [ 10 ] [ 11 ] The term hip-hop music is sometimes used synonymously with the term rap music , [ 9 ] [ 12 ] though rapping may not be the focus of hip-hop ...
By 1979, hip hop music had become a mainstream genre. It spread across the world in the 1990s with controversial "gangsta" rap. [37] Herc also developed upon break-beat deejaying, [38] where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties ...
Hip-hop was just rising as a dominant force in mainstream music. Grunge exploded, and alternative music represented Gen X’s moody vibe. Pioneers and top talents like Notorious BIG, Tupac ...
In addition to rap, R&B and dance music, WDRQ featured mainstream pop music with a danceable beat from artists. Many radio stations imitated the urban sound since it was proven to be more profitable than other formats and had proven itself more adept than straightforward black-targeted R&B formats at attracting white and Latino listeners.
The evil bastards who program supermarket background music. That easy-listening, soft rock crap you hear while shopping and makes you grateful for the cloying store messages about the sale price ...