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The rash promise, also blind promise or rash boon is a promise given without considering its consequences. It is a common motif in medieval and folk literature , especially fairy tales . [ 1 ] [ 2 ] It is classified in the Motif-Index of Folk-Literature as motif M223 [ 3 ] [ 4 ] and likely has an Oriental origin.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good").
Alliterative Morte Arthure (Middle English)(c. 1375–1400) Divine Comedy (Christian mythology) by Dante Alighieri; Cursor Mundi (Middle English) by an anonymous cleric (c. 1300) Africa by Petrarch ; The Tale of the Heike, Japanese epic war tale; The Brus by John Barbour ; La Spagna (Italian) attributed to Sostegno di Zanobi (c. 1350–1360)
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Humans are animals, despite the fact that the word animal is colloquially used as an antonym for human. [180] [181] Ecosystems do not naturally move back towards an equilibrium using negative feedback. [182] The concept of an inherent "balance of nature" has been superseded by chaos theory. [183]
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Contrast is the antonym of simile. In poetic compositions, it is common for poets to set out an elaborate contrast or elaborate simile as the argument. For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an