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The Grand Theatre of Rabat. The Grand Theatre of Rabat (French: Grand Théâtre de Rabat; Arabic: المسرح الكبير للرباط, lit. 'The Great Theatre of Rabat') [1] is a large performing arts center in Rabat, the capital city of Morocco. The building is designed by Zaha Hadid and her architectural firm Zaha Hadid Architects. The ...
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The Grand Théâtre de Bordeaux (French pronunciation: [ɡʁɑ̃ teɑtʁ də bɔʁdo]) is an opera house in Bordeaux, France, first inaugurated on 17 April 1780.It was in this theatre that the ballet La fille mal gardée premiered in 1789, and where a young Marius Petipa staged some of his first ballets.
theatre (plays) Théâtre de la Madeleine: 19, rue de Surène: 8th: 1924: 709: theatre (plays) Théâtre de la Main d'Or: 15, passage de la Main-d'Or: 11th: one-man shows: Théâtre de la Michodière: 4bis, rue de la Michodière: 2nd: 1925: 700: theatre (plays) Théâtre de la Porte Saint-Martin: 18, boulevard Saint-Martin: 10th: 1873: 1800 ...
Bordeaux-Gare Saint Jean <=> Mérignac-Centre. [2] 1: 2: Bordeaux-Quinconces <=> Le Taillan-La Boétie: 2: 3: Bordeaux-Quinconces <=> Saint-Médard-Issac, -Gare routière or Saint-Aubin-Villepreux: 3: 4: Bordeaux-Bassins à Flots <=> Pessac-Magonty or -Cap de Bos: 4: 12: Bordeaux-Palais de Justice <=> Eysines-Hippodrome: 12: 15
A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Arena Porte de la Chapelle]]; see its history for attribution. You may also add the template {{Translated|fr|Arena Porte de la Chapelle}} to the talk page. For more guidance, see Wikipedia:Translation.
Louis' masterpiece is the Grand Théâtre de Bordeaux of 1780. [6] He also designed other theatres, including the Salle Richelieu on the rue de Richelieu (1790, later to become the home of the Comédie-Française) and the Théâtre National de la rue de la Loi (1793, demolished). [7]
For the auditorium of his earlier theatre, the Grand Théâtre de Bordeaux (1773–1780), Victor Louis had combined the ancient semicircle with the ellipse giving a horseshoe plan and devised open balcony boxes, both features which he employed again in the Salle Richelieu (1786–1790), as well as in his later theatre, the Théâtre des Arts (1791–1793). [2]