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The Doric order of the Parthenon. Triglyphs marked "a", metopes "b", guttae "c" and mutules under the soffit "d" The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the ...
The upper half is distinctive for the Doric order. The frieze of the Doric entablature is divided into triglyphs and metopes. A triglyph is a unit consisting of three vertical bands which are separated by grooves. Metopes are the plain or carved reliefs between two triglyphs. The Greek forms of the Doric order come without an individual base.
The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Variants of entablature that do not ...
Horizontal taenia pictured as a shadow under the cymatium (to either side of the gutta) in the Roman Doric order at the Theater of Marcellus Detail of the entablature at the Temple of Segesta In classical architecture , a taenia ( Latin : taenia , from Ancient Greek ταινία ( tainía ) 'band, ribbon') is a small " fillet " molding near the ...
(Greek: γεῖσον — often interchangeable with cornice) The part of the entablature that projects outward from the top of the frieze in the Doric order and from the top of the frieze course of the Ionic and Corinthian orders; it forms the outer edge of the roof on the sides of a structure with a sloped roof. Gorgerin
Triglyph centered over the last column in the Roman Doric order of the Theater of Marcellus John Wood's The Circus Bath, Somerset (1754), triglyphs and decorated metopes. Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of
Pediments are placed above the horizontal structure of the cornice (an elaborated lintel), or entablature if supported by columns. [1] In ancient architecture, a wide and low triangular pediment (the side angles 12.5° to 16°) typically formed the top element of the portico of a Greek temple, a style continued in Roman temples.
The entablature of the Hephaisteion (temple of Hephaistos) in Athens, showing Doric frieze with sculpted metopes Metope on a façade of the Château de Maisons-Laffitte from France, an example of French Baroque architecture , by François Mansart