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Bloodsucking Pharaohs in Pittsburgh (also known as Picking up the Pieces) Tom Tully, Maureen McCullough; My Worst Enemy; North of Pittsburgh; Dead and Alive: The Race For Gus Farace; 1992. Passed Away #14 Apr. 24–30. Bob Hoskins, Maureen Stapleton, Frances McDormand, Teri Polo; Whispers in the Dark #8 Aug. 7–13 #11 Aug. 14–20
Pages in category "Films set in Pittsburgh" The following 114 pages are in this category, out of 114 total. This list may not reflect recent changes. 0–9.
Haggard: The Movie (2003) The Italian Job (2003) Jersey Girl (2004) National Treasure (2004) In Her Shoes (2005) Land of the Dead (2005) Invincible (2006) The Mysteries of Pittsburgh (2007) The Mighty Macs (2008) (a.k.a. "Our Lady of Victory") Smart People (2008) The Wrestler (2008) Zack and Miri Make a Porno (2008) Adventureland (2009) Law ...
Bad for Each Other is a 1953 American drama film noir directed by Irving Rapper and starring Charlton Heston, Lizabeth Scott and Dianne Foster. It was produced and distributed by Columbia Pictures. Its genre has been characterized as a "medical melodrama" with a film noir "bad girl". [1]
Ma Rainey's Black Bottom (film) A Man Called Otto; Martin (1977 film) Me and Earl and the Dying Girl (film) Midnight (1982 film) Milk Money (film) Monkey Shines (film) Mortal Remains; The Mothman Prophecies (film) My Bloody Valentine 3D; The Mysteries of Pittsburgh (film)
The National Film Registry has added 25 new films to its archive at the Library of Congress, including Dirty Dancing, No Country for Old Men and The Social Network.. Since it was founded in 1988 ...
He was known for his energetic and athletic dancing style and sought to create a new form of American dance accessible to the general public, which he called "dance for the common man". [2] [3] He starred in, choreographed, and, with Stanley Donen, co-directed some of the most well-regarded musical films of the 1940s and 1950s.
Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film.