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The official military version is played by a single bugle or trumpet, although other versions of the tune may be played in other contexts (e.g., the U.S. Marine Corps Ceremonial Music site has recordings of two bugle versions and one band version [3]). It is also performed often at Girl Guide, Girl Scout, and Boy Scout meetings and camps.
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them ...
Gen. Winfield Scott. The call was published in musical notation in an American military manual [1] written by Major General Winfield Scott, first published in 1835.The term "Scott Tattoo" was coined by Russell H. Booth in his 1977 magazine article Butterfield and "Taps" which first set forth the discovery of this earlier form of the essential Taps melody.
"Il Silenzio" ("The Silence") is an instrumental piece, with a small spoken Italian lyric, notable for its trumpet theme. It was written in 1965 by trumpet player Nini Rosso, [1] its thematic melody being an extension of the same Italian Cavalry bugle call Il Silenzio d’Ordinanza used by Russian composer Tchaikovsky to open his Capriccio Italien (often mistaken for the U.S. military bugle ...
A bugle call is a short tune, originating as a military signal announcing scheduled and certain non-scheduled events on a military installation, battlefield, or ship. Historically, bugles , drums, and other loud musical instruments were used for clear communication in the noise and confusion of a battlefield.
"The Lick" is a lick (a stock musical phrase) that has been used in numerous jazz and pop songs and part of several classical compositions to the point that it has been described as "the most famous jazz cliché ever". [1] In recent years, it has become an internet meme and is often used for comedic effect. [2] [3]
Keith Collar Clark (November 21, 1927 – January 11, 2002) [2] was a bugler in the United States Army who played the call "Taps" at the funeral of President John F. Kennedy in 1963. He misplayed the sixth note, and to many this mistake was a poignant symbol of the American nation in mourning. [ 3 ]
Francis "Frank" Johnson was born in Philadelphia, Pennsylvania on June 16, 1792, and baptized three months later at St. Paul's Episcopal Church on September 23. [3] He directed military bands and society dance orchestras, taught music, and performed on the violin and keyed bugle.