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17th; 18th; 19th; 20th; 21st; 22nd ... Pages in category "17th-century portraits" The following 141 pages are in this category, out of 141 total.
Christian Horneman's miniature portrait of Ludwig van Beethoven (1802).. In Denmark, Cornelius Høyer specialized in miniature painting (often 40 mm × 30 mm or approximately 1-1.5 inches, or in many case, oval or round in shape) in the second half of the 18th century and was appointed Miniature Painter to the Danish Court in 1769.
Surviving examples from as early as the beginning of the 17th century showcase a mixture of mediums and art styles, with portraits being painted in the New England area as early as the 1640’s. [4] The prevalence and variety of folk art mediums and styles is due, in part, to social values in early colonial America that viewed the colonies as ...
Dodge said he knew the nearly 120-year-old portrait by one of the most important Western artists of the century was worth a lot. But even he was floored by just how valuable it turned out to be.
Airbrushing and beauty filters may feel like a modern phenomenon, but conservation work to a portrait painted in the 17th century has revealed that touch-ups to images are nothing new.
The painting is about life-size, measuring 48 inches (1,200 mm) wide by 70 inches (1,800 mm) tall. In 1821, John Young (1755–1825), a printmaker and keeper of the British Institution , published a reproduction of the painting for the first time and told the story of how the artist painted The Blue Boy to contradict the advice of Sir Joshua ...
Portrait painting thrived in the Netherlands in the 17th century, as there was a large mercantile class who were far more ready to commission portraits than their equivalents in other countries; a summary of various estimates of total production arrives at between 750,000 and 1,100,000 portraits. [29]
About ten portraits, all painted between 1670 and 1674 and showing residents of Boston, have been attributed to the Freake Painter. [2] It has been suggested that the artist might be identified as Samuel Clement (1635–78), the son of Augustine Clement who had arrived in New England in 1635 having previously trained as a painter in England.