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Various grammatical aspects of Kannada include tatsama–tadbhava, vibhakti pratyaya, kāla (tense forms), linga (gender forms), sandhi, samāsa, chandassu, alańkāra; and different poetrical metres such as vritta, tripadi, kanda (also called, choupadi or chaturpadi), shatpadi, sāngatya and others. [clarification needed]
Muthuswami Dikshita (IAST: Muttusvāmi Dīkṣita, 24 March 1775 – 21 October 1835) or Dikshitar was a South Indian poet and composer and is one of the musical trinity of Carnatic music.
Old Kannada or Halegannada (Kannada: ಹಳೆಗನ್ನಡ, romanized: Haḷegannaḍa) is the Kannada language which transformed from Purvada halegannada or Pre-old Kannada during the reign of the Kadambas of Banavasi (ancient royal dynasty of Karnataka 345–525 CE). [1] The Modern Kannada language has evolved in four phases over the years.
Muthuswami Dikshitar was born in a Brahmin family [5] on 24 March, 1776, [6] in Tiruvarur near Thanjavur in what is now the state of Tamil Nadu in India. He was the eldest son of the composer, Ramaswami Dikshitar who instructed in a number of subjects including the vedas, poetry, music, and astronomy. [7]
Dasa Sahitya (Kannada: ದಾಸ ಸಾಹಿತ್ಯ) is a genre of literature of the bhakti movement composed by devotees in honor of Vishnu or one of his avatars. Dasa is literally servant in Kannada and sahitya is literature. Haridasas ("servants of God") were preachers of bhakti to Vishnu or one of his avatars.
[1] [3] Though Kesiraja followed the model of Sanskrit grammar of the Katantra school and that of earlier writings on Kannada grammar, his work has an originality of its own. [ 4 ] Shabdamanidarpanam is the earliest extant work of its kind, and narrates scientifically the principles of old Kannada language and is a work of unique significance.
Shunyasampadane (Kannada: ಶೂನ್ಯಸಂಪಾದನೆ Śūnyasampādane) is an anthology of poems in the Kannada language that includes the vachanas and ...
Ratnakaravarni was a 16th-century Kannada poet and writer. [1] He is considered to be one of the trailblazers in the native shatpadi (hexa-metre, six line verse) and sangatya (composition meant to be sung to the accompaniment of musical instrument) metric tradition that was popularised in Kannada literature during the rule of the Vijayanagara empire in modern Karnataka.