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Appeal to ridicule (also called appeal to mockery, ad absurdo, or the horse laugh) [1] is an informal fallacy which presents an opponent's argument as absurd, ridiculous, or humorous, and therefore not worthy of serious consideration.
Phyllis Ada Diller (née Driver; July 17, 1917 – August 20, 2012) was an American stand-up comedian, actress, author, musician, and visual artist, best known for her eccentric stage persona, self-deprecating humor, wild hair and clothes, and exaggerated, cackling laugh.
Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement.The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as humours (Latin: humor, "body fluid"), controlled human health and emotion.
In philosophical argument, the appeal to ridicule (also called appeal to mockery, ab absurdo, or the horse laugh [18]) is an informal fallacy which presents an opponent's argument as absurd, ridiculous, or humorous, and therefore not worthy of serious consideration. Appeal to ridicule is often found in the form of comparing a nuanced ...
Laughter is a pleasant physical reaction and emotion consisting usually of rhythmical, usually audible contractions of the diaphragm and other parts of the respiratory system. It is a response to certain external or internal stimuli. Laughter can rise from such activities as being tickled, [1] or from humorous stories, imagery, videos or ...
Berman was born in Chicago, the son of Irene (née Marks) and Nathan Berman.He was Jewish. [5] He had a younger brother, Ronald. [6]He served in the Navy during World War II, [7] after which he enrolled in Chicago's Goodman School of Drama at the Art Institute of Chicago (now at DePaul University) as a drama student.
Lauter's first acting role was a small part in the Broadway production of The Great White Hope, a boxing drama, in 1968.Before that, he was a stand-up comedian. [2] His screen acting debut was in a 1971 episode of the television series Mannix. [3]
From the late 1950s to the early 1970s, Douglass had a virtual monopoly on the laugh-track business. [7] In 1966, TV Guide critic Dick Hobson said the Douglass family were "the only laugh game in town." [8] When it came time to "lay in the laughs", the producer would direct Douglass where and when to insert the type of laugh requested. [8]