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First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful "urge to create." Such creative impulse can be ...
Christopher Furlong/Getty Images It has been 80 years since the Soviet Army liberated Auschwitz, the largest Nazi concentration complex. First established in 1940, Auschwitz had a concentration ...
For the 7,000 prisoners remaining—more than 60,000 had been forced to undertake a death march in the weeks before Allied troops arrived—liberation came as a bitter relief, overshadowed by the ...
Valley of the Shadow of Death: 23 April 1855 Roger Fenton Sevastopol, Crimea Wet collodion negative Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3]
The history of Texas, particularly of the old independent Republic of Texas, is intimately bound up with its present culture. Frontier Texas! is a museum of the American Old West in Abilene. Texas is also home to many historical societies, such as: The Texas Historical Commission, an agency dedicated to historic preservation within the state of ...
Work by imprisoned artists went on show at the home of US Ambassador to Japan, Rahm Emanuel, who described the mass incarceration of Japanese Americans as a “shameful” chapter in his country ...
Camp Hereford was a base camp, meaning a large facility capable of holding anywhere from 3,000 to 6,000 prisoners, which provided workers for smaller branch camps located in and around the Texas Panhandle. Base camps were typically located in rural areas to make escape more difficult, and also so that prison labor could be more easily exploited ...
John Thomas Biggers (April 13, 1924 – January 25, 2001) [1] was an African-American muralist who came to prominence after the Harlem Renaissance and toward the end of World War II.