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Berbagi-bagi katerangan tentang sembahjangan Tionghoa dan toedjoeannja : mengoendjoek atsal-oetsoel, sebab-sebab, maksoed dan toedjoean, serta kafaedahan dan kabaekan jang orang bisa dapet dari oepatjara dan kabiasa'an sembahjang boeat malakoeken pemoedja'an agama atawa poen perhoeboengan sociaal (in Indonesian). Tjitjoeroeg: Moestika.
Chinese Indonesians (Indonesian: Orang Tionghoa Indonesia), or simply Orang Tionghoa or Tionghoa, [7] are Indonesians whose ancestors arrived from China at some stage in the last eight centuries. Chinese Indonesians are the fourth largest community of Overseas Chinese in the world after Thailand , Malaysia , and the United States .
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Saman dance in Lokop, East Aceh Regency during Dutch colonial period Saman dance performance. The dance is done by a group of people without musical instruments. Originally, the group was exclusively men. In performing this dance, the player sings some songs while doing some attractive movements.
Benteng people (Indonesian: Orang Cina Benteng or Orang Tionghoa Benteng) are a Chinese Indonesian community of 'Peranakan' or mixed descent, native to the historic Tangerang area in the modern-day Indonesian provinces of Jakarta, Banten and West Java.
Likok Pulo is a traditional dance originating from Aceh, Indonesia. "Likok" means dance moves, while "Pulo" means island. "Likok" means dance moves, while "Pulo" means island. Pulo here refers to a small island at the northern tip of Sumatra Island which is also called Breuh Island, or Beras Island.
In the 2000s, ten of his works were reprinted as part of the Kesastraan Melayu Tionghoa dan Kebangsaan Indonesia series. [3] Two of his works, the novel Boenga Roos dari Tjikembang (1927) [4] and the study Atsal Moelanja Timboel Pergerakan Tionghoa di Indonesia (1936/37), [1] have been translated into English.
The ruler of the underworld, i. e. the primeval sea, is the serpent-dragon Naga Padoha. He too existed before the beginning and seems to be the opponent of Mula Jadi. As ruler of the underworld Naga Padoha also has an important function in the creation of the earth. [4] All these six gods play a minor role in ritual.