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Fortepiano by Paul McNulty after Walter & Sohn, c. 1805 A fortepiano [ˌfɔrteˈpjaːno] is an early piano.In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century.
The English word piano is a shortened form of the Italian pianoforte, [3] derived from gravecembalo col piano e forte ("harpsichord with soft and loud"). [4] Variations in volume ( loudness ) are produced in response to the pianist's touch (pressure on the keys): the greater the pressure, the greater the force of the hammer hitting the strings ...
piano (p) Gently (i.e. played or sung softly) (see dynamics) piano-vocal score The same as a vocal score, a piano arrangement along with the vocal parts of an opera, cantata, or similar Picardy third A Picardy third, Picardy cadence (ˈpɪkərdi ) or, in French, tierce picarde is a harmonic device used in Western classical music. It refers to ...
The expression fortepiano (sometimes called forte piano) is a sudden dynamic change used in a musical score, usually with the abbreviation fp, to designate a section of music in which the music should be played loudly (forte), then immediately softly (piano). [1] It is not unusual for it to be followed by a crescendo, a gradual increase in ...
Symphonic Variations for Piano and Orchestra (1935–37, 1953–56) Opus clavisymphonicum—Concerto for Piano and Large Orchestra (1957–59) Opusculum clavisymphonicum vel claviorchestrale (1973–75) Leo Smit. Piano Concerto (1937) Charles Villiers Stanford. Piano Concerto in B-flat major, Op. posth (1873) [15] Piano Concerto No. 1 in G, Op ...
The celesta (/ s ɪ ˈ l ɛ s t ə /) or celeste (/ s ɪ ˈ l ɛ s t /), also called a bell-piano, is a struck idiophone operated by a keyboard. It looks similar to an upright piano (four- or five- octave ), albeit with smaller keys and a much smaller cabinet, or a large wooden music box (three-octave).
Both are included in French EMI set 50999685824 2 5, offering record listeners an unusual opportunity for direct comparison of the two instruments. Peter Hill recorded Havergal Brian's complete piano music on a Bösendorfer Imperial [31] at the Northern College of Music for Cameo Classics. John Ogdon highly praised the recordings in his review ...
Images (usually pronounced in French as ) is a suite of six compositions for solo piano by Claude Debussy. [1] They were published in two books/series, each consisting of three pieces. These works are distinct from Debussy's Images pour orchestre. The first book was composed between 1901 and 1905, and the second book was composed in 1907. [2]