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Starting in 1999, Jody Espina collaborated with Runyon and his production staff to develop the mouthpiece designs and prototypes that would launch the Jody Jazz line of high-end mouthpieces. [5] After Santy's death in 2003, the Runyon Products Company continued to operate as a family-owned business until it shut down in the late 2010s (around ...
Selmer Mark VI Alto Saxophone with a "Eric Marienthal Special" mouthpiece with a size 7 (.085 inch) tip opening [12] [13] and ishimori woodstone ligature; Yamaha Custom Z Alto Saxophone with a Beechler Metal No. 7 mouthpiece and 'Olegature' ligature [4] Selmer Mark VI Tenor Saxophone with a Berg Larsen Metal 100/2 mouthpiece and Brancher ligature
Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
Jazzophone. The jazzophone [1] is a comparatively rare sax-shaped double-belled Bb Trumpet, with a trumpet-like mouthpiece.One bell is left open, while the other bell uses a harmon mute with a stem on a trigger that produces a "wah-wah" type of effect.
A category for jazz saxophonist whose primary, or sole, instrument is alto saxophone. Subcategories. ... Pages in category "Jazz alto saxophonists"
Frank Morgan (December 23, 1933 – December 14, 2007) was a jazz saxophonist with a career spanning more than 50 years. [1] He mainly played alto saxophone but also played soprano saxophone. He was known as a Charlie Parker successor who primarily played bebop and ballads. [2]
Steve Potts (born January 21, 1943, in Columbus, Ohio) is an American jazz saxophonist. Playing mainly alto sax and occasionally soprano, Potts is best known for his 30-year partnership with fellow saxophonist Steve Lacy. A cousin of tenor saxophonist Buddy Tate, Potts studied architecture in Los Angeles and took lessons from saxophonist ...
All saxophone mouthpieces were made in this style until the 1930s, when the advent of big-band jazz made saxophonists experiment with different shapes of mouthpieces to get a louder and edgier sound. A baffle, or section of the mouthpiece roof sloped close to the plane of the reed, became a design feature for enhancing volume and projection ...
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