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Anna Goryachova started her studies as a pianist. In 2008 she became a soloist of the St. Petersburg Chamber Opera. In 2012 Goryachova made her debut at the Rossini Opera Festival in Pesaro, where she sang Edoardo in Matilde di Shabran, with partners like Juan Diego Flórez and Olga Peretyatko, conducted by Michele Mariotti and directed by Mario Martone. [1]
The music of another successful Russian opera Melnik – koldun, obmanshchik i svat (The Miller who was a Wizard, a Cheat and a Match-maker, text by Alexander Ablesimov, Moscow, 1779), on a subject resembling Rousseau’s Le Devin du village, is attributed to a theatre violin player and conductor Mikhail Matveyevich Sokolovsky (c. 1756
Portrait of Lavrovskaya on stage, 1878, by Ivan Kramskoi. Yelizaveta Andreyevna Lavrovskaya (Russian: Елизавета Андреевна Лавровская; October 13 [O.S. October 1] 1845 [a] – February 4, 1919) was a Russian mezzo-soprano praised for her dramatic performances of operatic arias and her sensitive interpretations of lieder.
The Maid of Orleans (opera) The Maid of Pskov; The Mandarin's Son; Mateo Falcone (opera) Mavra; May Night; Mazeppa (opera) The Merchant Kalashnikov; The miller who was a wizard, a cheat and a matchmaker; The Miserly Knight; Mlada; Mlada (Rimsky-Korsakov) Monna Vanna; Moscow, Cheryomushki; Mother (Khrennikov opera) Mozart and Salieri (opera) MR ...
The Golden Cockerel (Russian: Золотой петушок, romanized: Zolotoy petushok listen ⓘ) is an opera in three acts, with a short prologue and an even shorter epilogue, composed by Nikolai Rimsky-Korsakov, his last complete opera, before his death in 1908.
Boris Godunov (Russian: Борис Годунов, romanized: Borís Godunóv listen ⓘ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia.
Judith (Russian: Юдифь, romanized: Yudíf – stress on second syllable) is an opera in five acts, composed by Alexander Serov during 1861–1863. Derived from renditions of the story of Judith from the Old Testament Apocrypha, the Russian libretto, though credited to the composer, has a complicated history.
The piano score of the opera was published in 1908 by Jurgenson's publishing house and premiered on November 11, 1916, at the Zimin Opera House in Moscow. [2] The story centers around the death of the main protagonist Klara Milich, and the work is characterized as being a oneiric , or an appeal to introspection and a destabilization between ...