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Russian opera (Russian: Ру́сская о́пера Rússkaya ópera) is the art of opera in Russia.Operas by composers of Russian origin, written or staged outside of Russia, also belong to this category, as well as the operas of foreign composers written or intended for the Russian scene.
The Maid of Orleans (opera) The Maid of Pskov; The Mandarin's Son; Mateo Falcone (opera) Mavra; May Night; Mazeppa (opera) The Merchant Kalashnikov; The miller who was a wizard, a cheat and a matchmaker; The Miserly Knight; Mlada; Mlada (Rimsky-Korsakov) Monna Vanna; Moscow, Cheryomushki; Mother (Khrennikov opera) Mozart and Salieri (opera) MR ...
Russian classical music is a genre of classical music related to Russia's culture, people, or character.The 19th-century romantic period saw the largest development of this genre, with the emergence in particular of The Five, a group of composers associated with Mily Balakirev, and of the more German style of Pyotr Tchaikovsky.
Prince Igor (Russian: Князь Игорь, romanized: Knyaz Igor, listen ⓘ) is an opera in four acts with a prologue, written and composed by Alexander Borodin.The composer adapted the libretto from the early Russian epic The Lay of Igor's Host, which recounts the campaign of the 12th-century prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. [1]
Genre IMG Date Russian title (original title) English title Scoring Notes Stage: 23: 1834–1836: Жизнь за царя: A Life for the Tsar: Opera in 5 acts; new version (1837) in 4 acts and epilogue; original title: Ivan Susanin
Ivan Vasiliyevitch Yershov or Ershov (Russian: Иван Васильевич Ершов) (November 8, 1867 – November 21, 1943), PAU, was a Soviet and Russian opera singer (Heldentenor). He earned renown for his brilliant performances at the Mariinsky Theatre in Saint Petersburg , performing some of the most demanding roles written for the ...
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Judith (Russian: Юдифь, romanized: Yudíf – stress on second syllable) is an opera in five acts, composed by Alexander Serov during 1861–1863. Derived from renditions of the story of Judith from the Old Testament Apocrypha, the Russian libretto, though credited to the composer, has a complicated history.