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Hó-ra-tó-a, a Crow warrior with headdress, painted buffalo robe, and hair reaching the ground. Painted by George Catlin, Fort Union 1832. A buffalo robe is a cured buffalo hide, with the hair left on. They were used as blankets, saddles or as trade items by the Native Americans who inhabited the vast grasslands of the Interior Plains. [1]
Crow Indians, c. 1878–1883 The Crow, whose autonym is Apsáalooke ([ə̀ˈpsáːɾòːɡè]), are Native Americans living primarily in southern Montana. Today, the Crow people have a federally recognized tribe, the Crow Tribe of Montana, [1] with an Indian reservation, the Crow Indian Reservation, located in the south-central part of the state.
Traditional Native American clothing is the apparel worn by the indigenous peoples of the region that became the United States before the coming of Europeans. Because the terrain, climate and materials available varied widely across the vast region, there was no one style of clothing throughout, [1] but individual ethnic groups or tribes often had distinctive clothing that can be identified ...
Traditional Inuit clothing is a complex system of cold ... or newborn caribou, crow, or marmot. ... the American Museum of Natural History in 1902 and has been ...
If the clothing is that of an ethnic group, it may also be called ethnic clothing or ethnic dress. Traditional clothing often has two forms: everyday wear, and formal wear. The word "costume" in this context is sometimes considered pejorative, as the word has more than one meaning, and thus "clothing", "dress", "attire" or "regalia" can be ...
Stumickosúcks of the Kainai. George Catlin, 1832 Comanches capturing wild horses with lassos, approximately July 16, 1834 Spotted Tail of the Lakota Sioux. Plains Indians or Indigenous peoples of the Great Plains and Canadian Prairies are the Native American tribes and First Nations peoples who have historically lived on the Interior Plains (the Great Plains and Canadian Prairies) of North ...
Maya women have woven cotton with backstrap looms for centuries, creating items such as huipils or traditional blouses. Elaborate Maya textiles featured representations of animals, plants, and figures from oral history. [10] In modern times, weaving serves as both an art form and a source of income. [11]
In 1981, Margaret Wood (Navajo/Seminole) of Arizona, known for fashion design as well as for her quilts, [45] [46] published Native American Fashion: Modern Adaptations of Traditional Designs. [47] The book was the first treatment of contemporary Native American fashion and remains the sole in-depth treatment of the subject. [48]