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B♭ alto — up a perfect fourth. A — up a major third. G — up a major second. E — down a minor second. E♭ — down a major second (used for horn on pitches with multiple sharps until Richard Strauss) D — down a minor third. C — down a perfect fourth. B♭ basso — down a perfect fifth. Some less common transpositions include:
Hand-stopping. Hand-stopping is a technique by which a natural horn or a natural trumpet can be made to produce notes outside of its normal harmonic series. By inserting the hand, cupped, into the bell, the player can reduce the pitch of a note by a semitone or more. This, combined with the use of crooks changing the key of the instrument ...
An important part of balalaika technique is the use of the left thumb to fret notes on the lower string, particularly on the prima, where it is used to form chords. Traditionally, the side of the index finger of the right hand is used to sound notes on the prima, while a plectrum is used on the larger sizes.
The German horn is the most common type of orchestral horn, [22] and is ordinarily known simply as the "horn". The double horn in F/B♭ is the version most used by professional bands and orchestras. A musician who plays the German horn is called a horn player (or, less frequently, a hornist).
The term quarter tone can refer to a number of different intervals, all very close in size. For example, some 17th- and 18th-century theorists used the term to describe the distance between a sharp and enharmonically distinct flat in mean-tone temperaments (e.g., D ♯ –E ♭). [ 2 ] In the quarter-tone scale, also called 24-tone equal ...
Sweep picking. Sweep picking is a guitar-playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve ...
A technique similar to this, where the strings are actually strummed like a guitar, is called for in the 4th movement of Rimsky-Korsakov's Capriccio Espagnol (Scena e canto gitano), where the violins, violas, and cellos are instructed to play pizzicato "quasi guitara", the music here consists of three and four-note chords, which are fingered ...
His hugely innovative technique included, on a grand scale, such unheard of devices as melodies played in octaves, tremolo chords with shifting notes that sounded like whole horn sections, a complete array of natural and artificial harmonics, highly charged dissonances, super-fast chromatic runs from the open bass strings to the highest notes ...
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