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[b] Depicted in sumptuous clothes and jewellery, with her left hand Mary holds a carnation (red, suggesting blood and the Passion). The faces are put into light while all other objects are darker, e.g. the flower is covered by a shadow. The child is looking up and the mother looking down, with no eye contact. The setting of the portrait is a ...
Carnation, Lily, Lily, Rose is an oil-on-canvas painting made by the American painter John Singer Sargent in 1885–86. [1]The painting depicts two small children dressed in white who are lighting paper lanterns as day turns to evening; they are in a garden strewn with pink roses, accents of yellow carnations and tall white lilies (possibly the Japanese mountain lily, Lilium auratum) behind them.
The cheeks are, in a healthy subject, of a lively red; the breast, neck and upper part of the arms of a soft white; the belly yellowish. At the extremities the color becomes colder, and at the points assumes a violet tint, on account of the transparency of the skin.
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Detail of a petal of carnation . The lower part, narrower and green or whitish, is the claw; the wider, colored part is the limb of the petal. Mimulus flower. Flower under natural light (left) and under ultraviolet light (right) showing the nectar guides which are not visible to the human eye.
Blue–red contrast demonstrating depth perception effects 3 Layers of depths "Rivers, Valleys & Mountains". Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images.
The red-eye effect in photography is the common appearance of red pupils in color photographs of human eyes. It occurs when using a photographic flash at low lighting or at night. When a flash passes through the eyes and rebounds at the back of the eye, it causes a red reflex in an image, turning the subject's eyes red.