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An early cloudscape photographer, Belgian photographer Léonard Misonne (1870–1943), was noted for his black and white photographs of heavy skies and dark clouds. [ 1 ] In the early to middle 20th century, American photographer Alfred Stieglitz (1864–1946) created a series of photographs of clouds, called "equivalents" (1925–1931).
A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Here was this great white field of clouds solid against the blue." [30] The painting is a minimalist work that reduces the sky and clouds to distinct planes of color. Minimalism was a popular genre for young artists in the 1960s. O'Keeffe herself compared Sky above White Clouds I to the then-current work of American artist Kenneth Noland.
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Dove used a wide range of media, sometimes in unconventional combinations, to produce his abstractions and his abstract landscapes. Me and the Moon [ 2 ] from 1937 is a good example of an Arthur Dove abstract landscape and has been referred to as one of the culminating works of his career. [ 3 ]
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
Rössler's images in particular went beyond representational abstraction to pure abstractions of light and shadow. [15] In Germany and later in the U.S. László Moholy-Nagy, a leader of the Bauhaus school of modernism, experimented with the abstract qualities of the photogram. He said that "the most astonishing possibilities remain to be ...
Writing for Digital Camera World, Hannah Rooke said that Bliss became a metaphor for peace, nostalgia, and natural charm. [4] Wayne Freedman of ABC7 called it the contemporary version of Adams's Monolith photograph. [9] Observing the sky in the photograph, cultural anthropologist Katrien Pype referred to it as "almost perfect." [31]