Search results
Results from the WOW.Com Content Network
All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti.
Clash cymbals (also called concert cymbals, orchestral cymbals, or crash cymbals) are cymbals played in matched pairs by holding one cymbal in each hand and striking the two together. [ 1 ] Zildjian clash cymbals after a big crash Paiste clash cymbals in use in a percussion section
Concerto Hob. XVIII:2 in D major for organ (or harpsichord) and orchestra (1767) Concerto Hob. XVIII:6 in F major for violin and organ (or harpsichord) with string orchestra (1766) Haynes, Battison. Organ Sonata in D minor, op. 11 (1883) Hindemith, Paul. Kammermusik No. 7 for organ and chamber orchestra, Op. 46, No. 2 (1927) Organ Sonata No. 1 ...
Most orchestrators often work from a draft (sketch), or short score, that is, a score written on limited number of independent musical staves. Some orchestrators, particularly those writing for the opera or music theatres , prefer to work from a piano vocal score up, since the singers need to start rehearsing a piece long before the whole work ...
Like an oratorio or an opera, a choral symphony is a musical work for orchestra, choir and (often) solo voices, although a few have been written for unaccompanied voices. [1] Berlioz, who in 1858 first coined the term when describing his work Roméo et Juliette, explained the distinctive relationship he envisaged between voice and orchestra:
Note: Most subscribers have some, but not all, of the puzzles that correspond to the following set of solutions for their local newspaper. CROSSWORDS
Saga Fragment, for piano and orchestra (1932) Violin Concerto (1938) Piano Concertino (1939) Morning Song, for piano and orchestra (1946) Concertante for Three Solo Wind Instruments and Orchestra (1948/1949) Concertante for Orchestra with Piano (Left Hand) (1949) Variations on the name Gabriel Fauré for Harp & String Orchestra (1949)
I also loved the clue for NAB because it evoked a visual of a pet getting caught in the act. It is always such a joy to work with Sally. Many thanks to her for bringing me along on this one.