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The Circus (Seurat) M. Models (painting) P. Parade de cirque; S. A Sunday Afternoon on the Island of La Grande Jatte; Y. Young Woman Powdering Herself (Seurat)
Seurat completed the painting of Bathers at Asnières in 1884, at 24 years old. He applied to the jury of the Salon of the same year to have the work exhibited there, only to be rejected. The Bathers continued to puzzle many of Seurat’s contemporaries, and the picture would only be widely acclaimed many years after the artist's death (age 31).
Portrait of Seurat by Maximilien Luce. This is a list of notable paintings by Georges Seurat (2 December 1859 - 29 March 1891). He is a Neo-Impressionist painter and together with Paul Signac noted for being the inventor of pointillism. [1] The listing follows the 1980 book Georges Seurat and uses its catalogue numbers. [2]
Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. [9]
[10] [11] In 1947, at the sale of the collection of Félix Fénéon, an early advocate and promoter of Seurat, France acquired studies for the painting that now reside in the Musée d'Orsay. [12] [13] [14] In November 2022, Christies auction house sold the painting as part of the Paul G. Allen collection auction for $149.2m (£131m), including ...
(Reuters) - 3D metal-printing startup Seurat Technologies on Monday hinted at potentially going public in the medium-term and said it had raised $99 million in a funding round co-led by chip ...
Le Chahut is an oil painting on canvas measuring 170 by 141 cm (67 x 55 in). Seurat employed a Divisionist style, with pointillist dots of color. The work is dominated by a color scheme that tends toward the red end of the spectrum, of earth tones that draw from a palette of browns, tans, warm grays, and blues, interspersed with not just the primary colors (reds and yellows), nor even with the ...
As one of Seurat's final paintings, The Channel of Gravelines, Petit Fort Philippe demonstrates beautifully the principles of Seurat's own Neo-Impressionist movement. His systematic application of dots in colors carefully chosen according to laws of chromatic harmony results in unparalleled luminosity.