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Tā moko is the permanent marking or "tattoo" as traditionally practised by Māori, the indigenous people of New Zealand. It is one of the five main Polynesian tattoo styles (the other four are Marquesan, Samoan, Tahitian and Hawaiian). [1] Tohunga-tā-moko (tattooists) were considered tapu, or inviolable and sacred. [2]
Toi moko, formally known as mokomokai, are the preserved heads of Māori, the indigenous people of New Zealand, where the faces have been decorated by tā moko tattooing. They became valuable trade items during the Musket Wars of the early 19th century. Many toi moko were taken from their family and homeland as trophies.
Polynesian tattooing. Wikimedia Commons has media related to Tattoos in Polynesia.
Manu Farrarons. Manu Farrarons. Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist. Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences. Full leg tattooed by Manu Farrarons.
Most Pacific jewellery now is created for the sole purpose of commercial and tourist profits. Indeed, some pieces of jewellery have become major symbols of the Pacific's lifestyle to tourists, such as leis in Hawaii, which are now commonly associated with that area and its laid back, tourist-friendly attitude. Another example is the previously ...
As in other Polynesian islands, Rapa Nui tattooing had a fundamentally spiritual connotation. In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy.
Mahiole. Man Wearing Feather Cloak and Helmit (sic) attributed to Rembrandt Peale. [1] Hawaiian feather helmets, known as mahiole in the Hawaiian language, [2] were worn with feather cloaks (ʻahu ʻula). These were symbols of the highest rank reserved for the men of the aliʻi, [3] the chiefly class of Hawaii.
Tattooing was an expensive and painful process and by the late 1880s had become a mark of wealth for the crowned heads of Europe. [137] In 1891, New York City tattooer Samuel O'Reilly patented the first electric tattoo machine, a modification of Thomas Edison 's electric pen. Nora Hildebrandt.
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