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National symbols of Peru are the symbols that are used in Peru to represent what is unique about the nation, reflecting different aspects of the cultural life and history. The national symbols of Peru are established by law and part of the Political Constitution of Peru (Article 49).
Teresa Burga was a multimedia artist that works with conceptual art since the 60s and 70s. She was a pioneer in media art, art and technology and installation art in Peru. She was one of the most important non-objectualist artists of those decades in Peru. In sculpture Cristina Gálvez [7] was one of the most influential artists and art educators.
Nazca lines. The Nazca lines (/ ˈnɑːzkə /, /- kɑː / [1]) are a group of geoglyphs made in the soil of the Nazca Desert in southern Peru. [2] They were created between 500 BC and 500 AD by people making depressions or shallow incisions in the desert floor, removing pebbles and leaving different-colored dirt exposed. [3]
Chakana. The Chakana (Andean cross, "stepped cross" or "step motif" or "stepped motif") is a stepped cross motif used by the Inca and pre-incan Andean societies. The most commonly used variation of this symbol today is made up of an equal-armed cross indicating the cardinal points of the compass and a superimposed square.
Paracas Candelabra. Coordinates: 13°47′40.5″S 76°18′31.31″W. Paracas Candelabra. The Paracas Candelabra, also called the Candelabra of the Andes, or El Candelabro (the Trident), is a well-known prehistoric geoglyph found on the northern face of the Paracas Peninsula at Pisco Bay in Peru. Pottery found nearby has been radio carbon ...
The National Coat of arms. The National Coat of arms, or National Shield (Escudo Nacional), consists of the shield plus a Peruvian flag and a standard on each side, and a Civic Crown as crest. It is used on the war flag (Bandera de Guerra). Its use on its own is mandated for all public buildings, with the name of the entity under it.
Retablos are a sophisticated Peruvian folk art in the form of portable boxes which depict religious, historical, or everyday events that are important to the Indigenous people of the highlands. It is a tradition originated in Ayacucho. The Spanish word retablo comes from the Latin retro-tabulum (“behind the table or altar”), which was later ...
The figure, first introduced during the Peruvian War of Independence, [2] generally has the appearance of a (generally) seated female with a Greek profile wearing a laurel wreath and a white tunic. [1]
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