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The pierced lute had a neck made from a stick that pierced the body (as in the ancient Egyptian long-neck lutes, and the modern African gunbrī [7]). [8] The long lute had an attached neck, and included the sitar, tanbur and tar: the dutār had two strings, setār three strings, čārtār four strings, pančtār five strings. [5] [6]
The pierced lute had a neck made from a stick that pierced the body (as in the ancient Egyptian long-neck lutes, and the modern African gunbrī). [16] The long lute had an attached neck, and included the sitar, tanbur and tar (dutār 2 strings, setār 3 strings, čatār 4 strings, pančtār 5 strings). [1] [15]
It is a lute with a fretted neck, a circular body, and four strings. Its four strings were formerly made of silk but since the 20th century they have been made of steel (flatwound for the lower strings). The modern ruan has 24 frets with 12 semitones on each string, which has greatly expanded its range from a previous 13 frets. The frets are ...
The oud (Arabic: عود, romanized: ʿūd, pronounced; [1] [2] [3]) is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.
Laúd (Spanish: "lute") is a plectrum-plucked chordophone from Spain, played also in diaspora countries such as Cuba and the Philippines. The laúd belongs to the cittern family of instruments. The Spanish and Cuban instruments have six double courses in unison (i.e. twelve strings in pairs); the Philippine instrument has 14 strings with some ...
The Swedish lute (Swedish: svensk luta) is a musical instrument developed from the early cittern, with a theorbo'ed neck with several bass strings running offset from the fretboard. The modern Swedish lute generally has six strings over the fretboard, and four or more free-running strings.
The tar (from Persian: تار, lit. 'string') is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.
The strings are made of wound silk. Its tuning is A, E, A, B, for traditional biwa , G, G, c, g, or G, G, d, g for contemporary compositions, among other tunings, but these are only examples as the instrument is tuned to match the key of the player's voice.
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