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The expression "the elephant in the room" (or "the elephant in the living room") [2] [3] is a metaphorical idiom in English for an important or enormous topic, question, or controversial issue that is obvious or that everyone knows about but no one mentions or wants to discuss because it makes at least some of them uncomfortable and is ...
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
“One of the things we really stress in the course is all of this is a choice. So when people say, ‘Well, I can't,’ we say, ‘No, you choose not to,’” Bradford says. “We want people to ...
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. [1] It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an analogy. [2]
One suggestion is that the phrase refers to the whip-like "cat o'nine tails", an instrument of punishment once used on Royal Navy vessels. The instrument was purportedly stored in a red sack, and a sailor who revealed the transgressions of another would be "letting the cat out of the bag". [ 1 ]
An extended metaphor is a metaphor that is continued over multiple sentences. [19] [20] Example: "The sky steps out of her daywear/Slips into her shot-silk evening dress./An entourage of bats whirr and swing at her hem, ...She's tried on every item in her wardrobe." Dilys Rose [21] Onomatopoeia is a word designed to be an imitation of a sound. [22]
[11] In other words, a condensation is when more than one displacement occurs towards the same idea. In 1957, Jacques Lacan, inspired by an article by linguist Roman Jakobson, argued that the unconscious has the same structure of a language, and that condensation and displacement are equivalent to the poetic functions of metaphor and metonymy.
A subterranean corridor in Florence covered with charcoal drawings of figures thought to be sketched by Michelangelo while in hiding is be opened to the public for the first time.