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The first jazz recording was made by Sidney Bechet in 1954 under the title "La Complainte de Mackie". Louis Armstrong's 1955 version established the song's popularity in the jazz world. [135] It is also known as "The Ballad of Mack the Knife". [135] "Nagasaki" [136] is a jazz song composed by Harry Warren with lyrics by Mort Dixon.
In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
From 1919, Kid Ory's Original Creole Jazz Band of musicians from New Orleans played in San Francisco and Los Angeles, where in 1922 they became the first black jazz band of New Orleans origin to make recordings. [30] The year also saw the first recording by Bessie Smith, the most famous of the 1920s blues singers.
Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. [5] Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in Oliver's Creole
Paul Samuel Whiteman [1] (March 28, 1890 – December 29, 1967) [2] was an American bandleader, composer, orchestral director, and violinist. [3]As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz".
Leon Bismark "Bix" Beiderbecke (/ ˈ b aɪ d ər b ɛ k / BY-dər-bek; [1] March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like ...