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The modern company was founded in 2008 by Lawrence Rosen, whose grandfather Isidor had founded the original RoseArt company in 1923. After the sale of the company by Rosen, his father, and his brother Jeffrey Rosen to Mega Brands in 2005, Lawrence Rosen began a new company, primarily using the Cra-Z-Art branding for its products.
Giant Chewy SweeTarts. SweeTarts also come in a variety of other products including gum. Little Sweet Tarts (often packaged to be handed out as Halloween trick-or-treat candy), SweeTart "hearts" for Valentine's Day, "chicks, ducks and bunnies" shaped SweeTarts for Easter and SweeTarts Jelly Beans (marketed for Easter in some regions of the US), "skulls and bones" for Halloween.
The Rose Art Museum, founded in 1961, is a part of Brandeis University in Waltham, Massachusetts, USA.Named after benefactors Edward and Bertha Rose, it offers temporary exhibitions, and it displays and houses works of art from its permanent collection of 9,000 objects.
Carl Finch (born 1951), polka musician, founder of Brave Combo; Wilma Cozart Fine (1927–2009), classical record producer; Charles Finger (1867–1941), music teacher, conservatory administrator; later a noted author of children's literature; Sonny Fisher (1931–2005), rockabilly singer-songwriter, guitarist; Rosie Flores (born 1950), country ...
Rose painting with floral paintings in a traditional design. Rose-painting, rosemaling, rosemåling or rosmålning is a Scandinavian decorative folk painting that flourished from the 1700s to the mid-1800s, particularly in Norway.
Pauline Campanelli, née Eblé (1943–2001) was an American artist who specialized in photorealistic still lifes.Though her work did not often attract prestigious galleries or museums, only Andrew Wyeth sold more paintings while living than she did.
Kilroy Was Here is the eleventh studio album by the American rock band Styx, released on February 22, 1983. [8] A concept album and rock opera about a world where rock music is outlawed, it is named after a famous World War II graffiti tag, "Kilroy was here."
Many boatmen (and their families) spent significant time on narrowboats and barges, and the artwork became a source of pride as well as individuality. [1] One theory suggests that the amount of time families spent on the canals meant they were undereducated and became ostracised from society, and so the artwork became their "proud statement of separateness, self esteem, and a traditional way ...
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