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Alice Verlet as Queen of the Night, 1912. The first singer to perform the aria onstage was Mozart's sister-in-law Josepha Hofer, who at the time was 32. By all accounts, Hofer had an extraordinary upper register and an agile voice and apparently Mozart, being familiar with Hofer's vocal ability, wrote the two blockbuster arias to showcase it.
The arrival of the Queen of the Night. Stage set by Karl Friedrich Schinkel (1781–1841) for an 1815 production "O zittre nicht, mein lieber Sohn" ("Oh, don't tremble, my dear son") is the first aria performed by the Queen of the Night (a famous coloratura soprano role) in Mozart's singspiel The Magic Flute (Die Zauberflöte).
The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative: "O zittre nicht, mein lieber Sohn" / Oh, tremble not, my dear son! – and aria: "Du, Du, Du wirst sie zu befreien gehen / You will go to free her). The Queen and the ladies leave and Papageno can only hum to bemoan the ...
Related: Jennifer Hudson Channels Missy Elliott for Talk Show's Hip-Hop Halloween Episode — Watch (Exclusive) "Queen of the Night" was the final single to be released from the Bodyguard ...
The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. Side view showing depth of the relief
21. “Learn from yesterday, live for today, look to tomorrow, rest this afternoon.”— Charles M. Schulz. 22. “Sleep is the best time to repair, but it’s hard to get a good night’s rest ...
Over the course of Queen Elizabeth’s 70-year reign, her words (and her corgis) have become well known around the world. And now, over a year after bidding farewell to Prince...
Manon continued to be one of Sills' signature roles throughout most of her career. In January 1964, she sang her first Queen of the Night in Mozart's The Magic Flute for Caldwell. Although Sills drew critical praise for her coloratura technique and for her performance, she was not fond of the latter role; she observed that she often passed the ...