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Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. [1] [2] [3] The Ganesha-centric scripture Mudgala Purana is the first to list them. [4] Detailed descriptions are included in the Shivanidhi portion of the 19th-century Kannada Sritattvanidhi.
The name Ganesha is a Sanskrit compound, joining the words gana (gaṇa), meaning a 'group, multitude, or categorical system' and isha (īśa), meaning 'lord or master'. [18] The word gaṇa when associated with Ganesha is often taken to refer to the gaṇas, a troop of semi-divine beings that form part of the retinue of Shiva, Ganesha's father ...
The avatar concept was further developed and refined in later Hindu texts. One approach was to identify full avatars and partial avatars. Krishna, Rama, and Narasimha were full avatars (purna avatars), while others were partial avatars (ansha avatars). [29] Some declared, states Noel Sheth, that every living creature is an avatar of Vishnu. [29]
Phyllis Granoff reviews the internal evidence and concludes that the Mudgala was the last of the philosophical texts concerned with Ganesha [4] R. C. Hazra suggested that the Mudgala Purana is earlier than the Ganesha Purana which he dates between 1100 and 1400 A.D. [5] Granoff finds problems with this relative dating because the Mudgala Purana ...
Rao classifies Uchchhishta Ganapati as one of the five Shakti-Ganesha icons, where Ganesha is depicted with a shakti, that is, a female consort. [4] The large figure of Ganesha is accompanied with smaller figure of the consort. [1] The nude devi (goddess) sits on his left lap. She has two arms and wears various ornaments.
Mahaganapati, folio from the Sritattvanidhi (19th century). Here he is depicted with ten arms and accompanied by a goddess. Mahaganapati (Sanskrit: महागणपति, mahā-gaṇapati), literally "Ganesha, the Great" [1]), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha.
The Ganapatyas consider Ganesha as their primary deity, and the mythology of Ganesha found in this Purana is part of their tradition. [14] The text is also significant because it relates to Ganesha, who is the most worshipped god in Hinduism, and revered as the god of beginnings by all major Hindu traditions, namely Shaivism, Vaishnavism ...
Jones felt the resemblance between Dwimukhi-Ganesha and Janus was so strong that he referred to Ganesha as the "Janus of India." [32] The Dwimukhi-Ganesha form is a very unusual depiction in which Ganesha is shown with the head of an elephant looking toward his right and a human head at his left. It was possessed of four arms.