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"William, It Was Really Nothing" is a song by the English rock band the Smiths. It was released as a single in August 1984, featuring the B-sides "Please, Please, Please, Let Me Get What I Want" and "How Soon Is Now?", and reached No. 17 in the UK Singles Chart.
Music journalist Jon Savage commented that the song's lyrics were evocative of contemporary Manchester gay club culture. [10] The tune is built around a guitar chord that rapidly oscillates in volume. As to how the distinctive resonant sound was achieved, Marr gave the following account in 1990:
Throughout their career, their songs differed from the predominant synth-pop British sound of the early 1980s, [2] instead fusing together 1960s rock and post-punk. [9] In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11]
Johnny Marr wrote the music to "Please Please Please Let Me Get What I Want" shortly after its eventual A-side, "William, It Was Really Nothing".Marr commented, "Because that was such a fast, short, upbeat song, I wanted the B-side to be different, so I wrote 'Please Please Please Let Me Get What I Want' on Saturday in a different time signature—in a waltz time as a contrast". [9]
The Smiths' "non-rhythm-and-blues, whiter-than-white fusion of 1960s rock and post-punk was a repudiation of contemporary dance pop", [5] and the band purposely rejected synthesisers and dance music. [65] From their second album Meat Is Murder, Marr embellished their songs with keyboards. [64]
It should only contain pages that are The Smiths songs or lists of The Smiths songs, as well as subcategories containing those things (themselves set categories). Topics about The Smiths songs in general should be placed in relevant topic categories .
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"Stop Me" gained considerable praise and reference, as well as controversy from loyal Smiths fans despite its chart success being the highest UK chart position for a Smiths song. [16] The music review site ThisisfakeDIY gave the single a 5-star rating, citing that its popularity stemmed from its abstraction from a typical Smiths song ...