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Miyamoto Musashi (宮本 武蔵), born Shinmen Takezō (新免 武蔵, c. 1584 – 13 June 1645), [1] also known as Miyamoto Bennosuke and by his Buddhist name, Niten Dōraku, [2] was a Japanese swordsman, strategist, artist, and writer who became renowned through stories of his unique double-bladed swordsmanship and undefeated record in his 62 ...
Utagawa Kuniyoshi (Japanese: 歌川 国芳, [ɯtaɡawa kɯɲiꜜjoɕi]; 1 January 1798 [1] – 14 April 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. [2] He was a member of the Utagawa school. [3]
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).
Sesshū was born into the samurai Oda family (小田家) and trained at Shōkoku-ji temple in Kyoto, Japan, as a Zen monk. [1] From his early childhood, Sesshū showed a talent for painting and eventually became widely revered throughout Japan as a wise, reputable Zen scholar, and the greatest painter priest of Zen-Shu. [3]
Justo Takayama Ukon (ジュスト高山右近), born Takayama Hikogorō (高山彦五郎) and also known as Dom Justo Takayama (c. 1552/1553 - 5 February 1615) was a Japanese Catholic daimyō and samurai during the Sengoku period that saw rampant anti-Catholic sentiment.
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