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Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).
Nihonga began when Okakura Tenshin and Ernest Fenollosa sought to revive traditional Japanese painting in response to the rise of a new Western painting style, Yōga. Hashimoto Gahō , a painter of the Kano School , was the founder of the practical side of this revival movement.
With the rise of popular culture in the Edo period, ukiyo-e, a style of woodblock prints, became a major form and its techniques were fine-tuned to create mass-produced, colorful pictures; in spite of painting's traditional pride of place, these prints proved to be instrumental in the Western world's 19th-century dialogue with Japanese art.
A samurai in his armour in the 1860s. Hand-colored photograph by Felice Beato. Samurai or bushi (武士, [bɯ.ɕi]) were members of the warrior class in Japan.They were originally provincial warriors who served the Kuge and imperial court in the late 12th century, and eventually came to play a major political role until their abolition in the late 1870s during the Meiji era.
Ukiyo-e [a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Birds and Flowers of Spring and Summer, Kanō Einō. The Kanō school (狩野派, Kanō-ha) is one of the most famous schools of Japanese painting.The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, [1] by which time the school had divided into many different branches.
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