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Pippa passes the turret on the hill. Luigi and his mother discuss his plan to assassinate an Austrian official. (The song they overhear, A king lived long ago (1835), was originally a separate poem by Browning.) Four poor girls sit on the steps of the cathedral and chatter. At the behest of Bluphocks, they greet Pippa as she goes by. IV.—Night
"Porphyria's Lover" is a poem by Robert Browning which was first published as "Porphyria" in the January 1836 issue of Monthly Repository. [1] Browning later republished it in Dramatic Lyrics (1842) paired with "Johannes Agricola in Meditation" under the title "Madhouse Cells". The poem did not receive its definitive title until 1863.
Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets.He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax.
Dramatic Lyrics is a collection of English poems by Robert Browning, first published in 1842 [1] as the third volume in a series of self-published books entitled Bells and Pomegranates.
A Polish sociologist, Leon Winiarski, who was active at the end of the 19th century, was disgusted with the poem. In his view, Browning should not have written it, writing: "We have to laugh, when we read that this eighty-year-old man standing at the edge of a grave thinks that the greatest happiness in life is in 'kissing a girl'." [7]
Browning's poem inspired or gave its title to many subsequent works, including a painting by Edward Burne-Jones, Warwick Deeping's second novel, a 1953 novel by Evelyn Waugh, a 1975 TV-movie with Katharine Hepburn and Laurence Olivier, an episode of the American TV series Mad Men, and an album and song by the band 10,000 Maniacs.
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"Count Gismond" is a poem by Robert Browning, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics, where it was known simply as "France". [1] The poem is written in 21 verses. "Count Gismond: Aix in Provence" may, on one reading, be seen as a story of the vindication of innocence.