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The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. [1] Until the mid-19th century it was primarily concerned with representational and traditional modes of production, after which time more modern, abstract and conceptual forms gained favor.
One of his famous paintings is related to these incidents, which is known as "The Toll Collectors" painted thirty-one years later in 1913. [30] Russell's paintings are representative among the artistic works of western American art, because he represented the views of the indigenous people in American instead of the non-native citizens' views.
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist, groups of artists or art movement.
Carolingian art emphasized Christian themes, with elaborate depictions of saints, biblical scenes, and classical motifs, laying the foundation for later medieval art in Western Europe. Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern
African art, Jewish art, Islamic art, Indonesian art, Indian art, [3] Chinese art, and Japanese art [4] each had significant influence on Western art, and vice versa. [ 5 ] Initially serving utilitarian purpose, followed by imperial, private, civic, and religious patronage, Eastern and Western painting later found audiences in the aristocracy ...
The West as America, Reinterpreting Images of the Frontier, 1820–1920 was an art exhibition organized by the Smithsonian American Art Museum (then known as the National Museum of American Art, or NMAA) in Washington, D.C. in 1991, featuring a large collection of paintings, photographs, and other visual art created during the period from 1820 to 1920 which depicted images and iconography of ...
In Byzantine and Medieval art of the Western Middle Ages, much art focused on the expression of subjects about biblical and religious culture, and used styles that showed the higher glory of a heavenly world, such as the use of gold in the background of paintings, or glass in mosaics or windows, which also presented figures in idealized ...
German-speaking art historians continued to dominate medieval art history, despite figures like Émile Mâle (1862–1954) and Henri Focillon (1881–1943), until the Nazi period, when a large number of important figures emigrated, mostly to Britain or America, where the academic study of art history was still developing.