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A Roman hanging lamp or chandelier. Hanging lighting devices, some described as chandeliers, were known since ancient times, and circular ceramic lamps with multiple points for wicks or candles were used in the Roman period. [11] [12] The Roman terms lychnuchus or lychnus, however, can refer to candlestick, floor lamps, candelabra, or ...
The Crusie lamp consists of two lamp pans, one above the other. Fuel drip from the upper lamp pan fell into the lower pan minimizing oil/grease mess below the lamp. In the evolution to the Betty lamp, replacing the upper lamp pan with a metal wick holder inside the lower pan reduces the amount of metal needed for the lamp.
A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
The Argand lamp is a type of oil lamp invented in 1780 by Aimé Argand. Its output is 6 to 10 candelas , brighter than that of earlier lamps. Its more complete combustion of the candle wick and oil than in other lamps required much less frequent trimming of the wick.
' hanging lamp '), which usually hang from the eaves of a roof, and dai-dōrō (台灯籠, lit. ' platform lamp '), used in gardens and along the approach of a shrine or temple. [3] The two most common types of dai-dōrō are the bronze lantern and the stone lantern, which look like hanging lanterns laid to rest on a pedestal.
A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
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