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Cello Concerto No. 1 in C; Cello Concerto No. 2 in G; Cello Concerto No. 3 in F; Cello Concerto No. 4 in E-flat; Cello Concerto No. 5 in D; Malcolm Arnold. Cello Concerto; Alexander Arutiunian. Concertino for cello and orchestra (1971) Poem for cello and orchestra (1974) Kurt Atterberg. Cello Concerto in C minor, Op. 21 (1922) Daniel-Francois ...
Cello Sonata No. 7 in F-sharp minor (1917) Cello Sonata No. 8 in D minor (1926) Cello Sonata No. 9 in E minor (1927) Cello Sonata No. 10 in C minor (1927) Cello Sonata No. 11 in D minor (1930) Cello Sonata No. 12 in A minor (1930) Cello Sonata No. 13 in C-sharp minor (1931) Cello Sonata No. 14 in C major (1931) and many variation sets and other ...
"Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio "Hommage à J.S. Bach" Max Gulbins Vier kleine Stücke, op. 14 for cello and organ
Jackie's Song (2000) Johann Nepomuk David. 2 Solo Sonatas; Mario Davidovsky. Synchronisms No. 3 (1964), and electronic sound; Robert deMaine. Twelve Études-Caprices, Op. 31 (1999) Unaccompanied Sonata; Edison Denisov. Cadenzas for two cello concertos in D major and C major by Haydn (1982) Patrick van Deurzen. Monologue (2011) David Diamond
Opus 86: Sonata No. 2 for cello solo (1965) Opus 87: The Diary of Love, cantata after S. Vygodski for tenor, boys' chorus and chamber orchestra (1965) Opus 88: The Profile, song cycle after S. Vydodski for bass and piano (1965) Opus 89: String Quartet No. 11 (1965–1966) Opus 90: Words in Blood, song cycle after J. Tuwim for tenor and piano (1965)
G 17: Cello Sonata in C major; G 18: Cello Sonata in C minor (may also be for viola) G 19: Cello Sonata in F major; G 562: Cello Sonata in G minor; G 563: Cello Sonata in G major; G 564: Cello Sonata in D major; G 565a: Cello Sonata in B-flat major; G 565b: Cello Sonata in B-flat major; G 566: Cello Sonata in E-flat major; G 567: Cello Sonata ...
The second ("Langsam") is in F major; the fourth ("Nicht zu rasch") in D major. All are in 2/4 time except number 3, in 6/8, and number 4, in common time. The pieces are not straightforwardly folk songs; nor are their themes lifted from folk songs. Instead each is an entirely original composition which emulates the style of folk music.
The second bourrée, though in C minor, has a two-flat (or G minor) key signature. This notation, common in pre-Classical music, is sometimes known as a partial key signature. The first and second bourrée of the 3rd Suite are sometimes used as solo material for other bass instruments such as the tuba, euphonium, trombone and bassoon.
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