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The album cover shows a group of middle-aged nudists posing in the middle of a forest. The group consists of five women and three men. The album cover was completely pixelated for its iTunes release, [21] and many online news outlets overlaid a black box over the explicit areas. [22] The replacement cover for Ritual de lo Habitual.
The album title is "Volume II" on the front of the LP jacket and "Volume 2" on the spine, back, and on both record labels. Initial pressings of the album had "And You Believed Him" as the last track, but "Death Of An Angel" was substituted mid-production along with a yellow sticker at the bottom of the LP jacket proclaiming "Featuring Death Of ...
After being reissued by Wand, "Louie Louie" debuted in the Billboard Hot 100 at #83 on November 9 and quickly began ascending the charts. [4] Trying to capitalize on the success of the song, the Kingsmen decided to release an entire album, and gigs at the Chase nightclub were booked on November 15 and 16 to record what was to become The ...
Petridis calls the guest musicians "largely looped and distorted, part of the overall wash of sound rather than spotlit star turns", and concludes by calling the album "Strange but hooky, sonically unified but constantly changing, possessed of an odd emotional pull", and with "a certain bravery involved in releasing something so personal to the ...
The State I'm In is the debut album by the American musician Louie Louie. [3] It was released on April 4, 1990, via WTG Records and Epic Records.It is his only album to date to chart on the Billboard 200, peaking at No. 136. [4]
Taylor Swift Announces ‘Black Dog’ Special Edition of ‘Tortured Poets Department’ Album
Hootie Mack is the second studio album released by R&B group, Bell Biv DeVoe. It was released through MCA Records on June 1, 1993, and featured production from the group itself and some of R&B's top producers such as Chris Stokes, L.A. Reid and Babyface. As the follow-up to the group's quadruple platinum debut album, Poison, expectations were high.
Self-consciously nerdy in an era of scuzzy post-grunge bluster, 1994's crisp and witty "Weezer" — soon to be known as the Blue Album because of its cover (and the fact that the band kept naming ...