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Recitative and aria for soprano and orchestra: Metastasio L'Olimpiade III,6: 24 February 1778 316: 300b "Popoli di Tessaglia! ... Io non chiedo, eterni Dei" (Score/Crit. report) Recitative and aria for soprano and orchestra: Ranieri de' Calzabigi Alceste I,2: 8 January 1779 365a "Zittre, töricht Herz" Aria for soprano and orchestra (lost)
Inspired by the folklore of Dalmatian hinterland, to the point where the boundary between the folklore and "classical music" ceases to exist, it is considered to be the best and most performed Croatian opera of all time. 1935 Die schweigsame Frau (Strauss). A comic opera based on a play by Ben Jonson. [202] 1935 Porgy and Bess (George Gershwin ...
Among the more well-known of Mozart's concert arias are: "Popoli di Tessaglia!", K. 316, for soprano, with its two famous G 6 notes (i.e., the G above high C - according to the Guinness Book of Records, the highest musical note ever scored for the human voice) that come shortly before the end.
Sacred Arias (Italian: Arie Sacre), is the sixth studio album by Italian tenor Andrea Bocelli.. Released in 1999, the album, featuring music composed in traditional Christian styles, is not only Bocelli's most commercially successful classical album to date with over 5 million copies sold, [1] but also the biggest selling classical album by any solo artist in history.
Sissel's musical style runs the gamut from pop recordings and traditional folk songs, to classical vocals and operatic arias. She possesses a "crystalline" voice [2] and wide vocal range, sweeping down from mezzo-soprano notes, in arias such as Mon cœur s'ouvre à ta voix from Saint-Saëns's opera Samson et Dalila, to the F natural above ...
Carmen: Duets & Arias is an album released in 2010 by Italian tenor, Andrea Bocelli. [2] The album is a collection of arias of Georges Bizet 's opera Carmen , including duets with Welsh bass-baritone , Bryn Terfel , Russian mezzo-soprano Marina Domashenko , and Italian soprano Eva Mei , from the French opéra comique .
No. 7: Ove rivolgo il piede (for soprano) No. 8: Mi dà pena quando spira (for alto) No. 9: Parti, mi lasci, ah quale (for soprano) No. 10: Son qual Tantalo novello (for alto) No. 11: Poiché al vago seren di due pupille (for soprano) No. 12: Chi non sa quanto inumano (for alto) 18 Cantatas for Soprano and Bass continuo, Staatsbibliothek Berlin ...
The contralto voice in opera and classical music has a range which typically lies between the F below middle C to two Fs above middle C (F5). In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two B ♭ s above middle C (B ♭ 5). [ 1 ]