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Note: This list is not comprehensive; the vast majority of public domain films are not listed here. This list includes a selection of notable films where a reliable secondary source is available that discusses public domain status. Others are on the list of animated films in the public domain in the United States.
The first of January ushers in a new year, a new month and new entries to the list of works in the public domain. While 2024 saw many popular intellectual properties lose copyright protection ...
Outside of these films, not primarily. A bit of live-action was used in some of the animated films. various: yes: various: Consisted of audio stories, specials, songs and theme rides, etc. See also the Disney franchise. Wuthering Heights (Emily Brontë) Wuthering Heights (1847) Classics Illustrated #59: several: several: several: several: no ...
Since the public domain began expanding annually again in 2019, the month of January has typically seen a large number of public domain works uploaded to sites such as Project Gutenberg, Standard Ebooks, and Wikimedia Commons. Standard Ebooks usually releases a number of notable newly-public domain books each January 1, and films in the public ...
Hence the slasher films that have already been … It’s become an annual ritual: Every Jan. 1, more classic works of art or characters enter the public domain, and exploitation filmmakers with a ...
This date will move forward one year, every year, meaning that films released in 1930 will enter the public domain on New Year's Day 2026, films from 1931 on New Year's Day 2027, and so on. All copyrightable works made by United States government employees as part of their official duties are in the public domain from their creation.
Pages in category "Films about alcoholism" The following 200 pages are in this category, out of approximately 374 total. This list may not reflect recent changes .
The Road to Ruin is a 1934 pre-Code exploitation film directed by Dorothy Davenport, under the name "Mrs. Wallace Reid", and Melville Shyer, and written by Davenport with the uncredited contribution of the film's producer, Willis Kent.