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"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United ...
Yellow Submarine is the tenth studio album by the English rock band the Beatles, released in January 1969. It is the soundtrack to the animated film of the same name, which premiered in London in July 1968. The album contains six songs by the Beatles, including four new songs and the previously released "Yellow Submarine" and "All You Need Is ...
Yellow Submarine Songtrack This page was last edited on 31 May 2024, at 23:32 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Yellow Submarine, a 1968 feature-length animated film featuring The Beatles' music; Yellow Submarine, 1969 soundtrack to the film; Yellow Submarine Songtrack, 1999 expanded remix of the Yellow Submarine album; Yellow Submarine, large-scale work of art at Liverpool Airport, based on the song and film; Ringo's Yellow Submarine, 1983 radio show ...
Yellow Submarine Songtrack removes the seven songs composed and orchestrated by George Martin that were included on the original 1969 Yellow Submarine and replaces them with all but one of the Beatles songs featured in the film that were not included on the original album—EMI chose to exclude "A Day in the Life" from the Songtrack in order to ...
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Yellow Submarine (also known as The Beatles: Yellow Submarine) is a 1968 animated jukebox musical fantasy adventure comedy film inspired by the music of the Beatles, directed by animation producer George Dunning, and produced by United Artists and King Features Syndicate.
The group returned to take 3 of "Only a Northern Song" on 20 April, a day when members of the Yellow Submarine production team visited them in the studio. [57] The band started working on the song less than 45 minutes after completing the final mixing on Sgt. Pepper, demonstrating what Lewisohn terms a "tremendous appetite" to continue recording.