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Artemisia, and more specifically her painting Judith Beheading Holofernes, are referred to in Wendy Wasserstein's play The Heidi Chronicles (1988), in which the main character, Heidi, lectures about it as part of her art history course on female painters. At the end of the play, Heidi adopts a daughter she names Judy, which is at least a ...
Garrard, Mary D., Angouissola and the Problem of the Woman Artist, Renaissance Quarterly 24, 1994. Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society.
Judith Slaying Holofernes is a painting by the Italian early Baroque artist Artemisia Gentileschi, completed in 1612-13 and now at the Museo Capodimonte, Naples, Italy. [ 1 ] The picture is considered one of her iconic works.
Venus standing in her arch.. The painting features six female figures and two male, along with a cupid, in an orange grove. The movement of the composition is from right to left, so following that direction the standard identification of the figures is as follows: At the far right, "Zephyrus, the biting wind of March, kidnaps and possesses the nymph Chloris, whom he later marries and ...
Anguissola challenged gender norms and emphasized women's intelligence by depicting them as active players in a strategic game, which is uncommon in Renaissance painting. In a time when male artists dominated, her work not only affirmed women's agency but also helped to increase awareness of women's contributions to both art and society. [8]
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
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