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Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Important cities with significant black populations and important African-American art circles included Philadelphia, Boston, San Francisco and Washington, D.C. The WPA led to a new wave of important black art professors. Mixed media, abstract art, cubism, and social realism became not only acceptable, but desirable.
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...
You can be black, a woman, a sculptor, a print-maker, a teacher, a mother, a grandmother, and keep a house. It takes a lot of doing, but you can do it. All you have to do is decide to do it." [7] Catlett's The Negro Woman, dated 1946–1947, is a series of 15 linoleum cuts highlighting the experience of discrimination and racism that African ...
The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
Afro-Surrealism is directly connected to black history, experience, and aesthetics, particularly as affected by Western culture. British-Nigerian short story writer Irenosen Okojie describes the genre: [4] Afro-surrealism, which couples the bizarre with ideas of black identity and power, allows for more expansive explorations of blackness.
"Where We At" Black Women Artists, Inc. (WWA) was a collective of Black women artists affiliated with the Black Arts Movement of the 1960s and 1970s. It included artists such as Dindga McCannon , Kay Brown , Faith Ringgold , Carol Blank, Jerri Crooks, Charlotte Kâ (Richardson), and Gylbert Coker .