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Indian Art got a boost with the economic liberalization of the country since the early 1990s. Artists from various fields now started bringing in varied styles of work. Post-liberalization Indian art thus works not only within the confines of academic traditions but also outside it. In this phase, artists have introduced even newer concepts ...
The flame and the lotus: Indian and Southeast Asian art from the Kronos collections. New York: The Metropolitan Museum of Art. ISBN 978-0-87099-374-9. fully online; Smith, Vincent A. (1930). A History Of Fine Art In India And Ceylon. The Clarendon Press, Oxford. Welch, Stuart Cary (1985). India: art and culture, 1300–1900. New York: The ...
Ancient temples and palaces in Kerala, India, display an abounding tradition of mural paintings mostly dating back between the 9th to 12th centuries CE when this form of art enjoyed royal patronage. The scriptural basis of these paintings can be found in the Sanskrit texts, Chithrasoothram - (Chitrasutra is a part of the Vishnu Dharmottara ...
The campaign included advertising on traditional mass media, combined with radio, the Internet, and out-of-home media. The Manik Public School at Maniknagar, Karnataka, dedicated a large wall of their academic block to preserve Indian heritage by hosting India's largest Warli art painting.
Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines.
Sohrai wall paintings in Jharkhand, India. The art of Sohrai painting is significantly matriarchal in its depiction as well as the tradition associated with it. The skill is passed on from mother to daughter. Most of the depictions show pregnant figures and animals with their younger ones. Hens and chicks are very common motifs.
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